Tox Fantasy Adventure: The Root of Knowledge, 4a – The Cost of Knowledge

A forest with question marks on the trees.

Welcome back to Isladja, a forgotten country in the wake of a collapsed empire, where magic is woven into the very identity of spell casters; the ideals they strive to embody and the face they show the world shape the magic players can work. Magics thrust suddenly upon individuals (instead of carefully cultivated over years) can warp personality. In our first adventure post, we introduced a cast of sorcerers who meet seeking a Tree of Knowledge to enlighten them, but finding they’d been duped. In subsequent chapters of the adventure, they research more about merchant who misled them and the tree.

Perhaps at this point, players discover that the Tree of Knowledge has actually become the Iretree. However, there is an ancient ritual requiring them to plant a token of their self-searching at the base of the tree, causing it grow a budding scroll of knowledge. Instead of poring over old lore, perhaps the players have instead followed whispers of a shadowy cult, too-coincidentally named The Tree of Experience. If players catch a hold of a cult member, perhaps they hear that the cult offers mystic insight after an initiation ritual that requires them to bring tragedy upon another person. Perhaps the characters, following every lead have discovered both paths and must choose between them.

At this scene, characters should have a daunting challenge, either braving the angry spirit tree or investigating this cult. The tension in the story should be building as characters discover dangerous forces beyond their power at work. However, the game splits at this point. Either players pursue their self-knowledge and undertake some effort to test or understand their abilities, or they pursue the mystery of the cult. Either way, characters can potentially gain the insight they sought from the tree.

Option 1: Give the Tree of Token of Self-Searching

This option will most likely appeal to players who like to explore and develop characters. Veteran players might take the lead here, and discuss what they want to learn about their characters and how they might test themselves. For less pro-active characters who have stumbled on this path, the GM might take a more directed approach, confronting players with obstacles and difficult decisions. Here are some recommendations for the pre-made characters:

  • Luminitza’s is caught between her ambition to become more than her humble upbringing and the potential ostracism she might face for adopting The Righteous Path if she decides to go home. A good test of who she is would be running into an acquaintance from home. The acquaintance should be someone not too intimately known, but whose opinion back home is important.
    • Does she reveal her powers, or hide them?
    • Does she pretend to be Spirit-Touched instead of Righteous Path? Is she conciliatory or defensive?
    • The outcome of the interaction should provide a clue as to what Luminitza finds most important.
    • The acquaintance should give Luminitza a gift or a momento. If the meeting went well, perhaps a token from her own town. If it went poorly, perhaps the acquaintance returns an old gift, or even goes so far as to rend Luminitza’s traditional scarf.
  • Stanteen is trapped by his own powers. He’s excited to have them, but since they revolve around apathy, he can’t get too excited or involved. A good test for him is a situation in which he can become involved (and lose his powers temporarily by becoming too invested), or in which he can refuse to become involve and maintain his abilities.
    • This could either arise naturally, by one of the players asking him for help. If no such situation presents itself, put Stanteen into a situation where he could use his powers to avert catastrophe, knowing that they would short out. Catastrophes should be common enough, given the Tree of Experience behind the scenes.
    • As appropriate for Stanteens ability, some symbol of his choice fortuitously appears. Perhaps a lucky penny (from good karma and self sacrifice, or as a token that his abilities still work). Perhaps a piece of the wreckage from an accident not averted, or a thank you from a citizen saved.
  • Zihaka struggles with the fact that her powers are based on laughter, but in the wake of tragedy she finds it difficult to laugh. Her test of self-knowledge might involve a figure that is both tragic and comedic (such as the grave digging scene from Hamlet). Zihaka’s player can choose whether the encounter only depresses her more deeply, or whether she develops a sense of gallows humor.
    • Perhaps an important and comedic figure has died in Merchant’s Rest (again, the Tree of Experience might be unknowingly behind the scenes). The individual did some good, made a mess of other things, left a family behind. The hearse cart driver runs into a bump and the casket falls in front of Zihaka, prompting a scene in which the irreverent driver engages Zihaka with off-color jokes and puns.
    • If Zihaka seems worn down by the encounter, perhaps the driver gives her a partially-broken funeral flower to cheer her up. If Zihaka seems to find the humor in the situation, she might acquire something funny or off color (like the dearly-departed’s ruined wig).
  • Istvan struggles with being forced into solitude by his powers. Perhaps Istvan runs into a situation where he can either gain the community or acceptance he craves or slip into a prophetic trance, both helping and frightening those around him.
    • Much like Stanteen, Istvan may have the choice to use his powers to help other players. If so, make sure Istvan knows that he is likely to say something very off-putting or frightening to them as well as given them the answers they seek.
    • If Istvan doesn’t make his choice on behalf of the players, the host can present a scenario. Perhaps a frightened Mom with a lost child is running through the streets. Her boy has been missing under conditions in which he is likely dead. Istvan can choose to eschew his gift and console the mother, or use the gift knowing that he might frighten her and become the bearer of bad news.
    • Again, the person helped should be able to pass on some token. Perhaps dropping something in their distress, or giving a token of thanks.

If you want to create your own situations, or if players attempt to, follow these guidelines. 1) The players should be faced with a difficult choice around one of their key struggles. 2) The choice should have no clear “right” response, either option should involve some kind of sacrifice… highlighting what the character ultimately prioritises when the going gets tough. 3) The situation should leave behind some kind of momento, either given intentionally or left accidentally, that can symbolise the character choice.

Next Week: Inside the Cult

The other option the players have, instead of going directly for the tree is to infiltrate the Tree of Experience cult and explore that connection. The will be confronted with difficult choices there, too. How much do characters want the insight they seek? Enough to join the cult and create a tragedy? Or more challenging, enough to take advantage of a tragedy already made? Will they be able to trace the cults origin and find a way of thwarting both the cult and placating the Iretree?

Varza Games: Break week, moving to Japan.

Varza games is currently in the middle of several posts that brain dump the material for what will be a Tox fantasy adventure. We’ve covered the world, the player characters, and two initial stages of the story: introduction to the problem and further investigation. We’ll pick up next week with the third stage: action. What are characters going to do resolve their problem?

Behind the Scenes at Varza

Like many indie tabletop-RPG studies, Meg and I both have had day jobs. Tox RPG is a work of passion; I drive the development, while Meg tests and copy edits big releases. Recently, we’ve undergone a major change! Meg has found her dream job of developing the curriculum for a small English-teaching job in Japan. We spent about 24 hours traveling yesterday and arrived in Yuzawa, a small ski town where Meg’s school is located.

For me (Alec), this moves means more free time to develop Tox RPG. Previously, I worked full time in Silicon Valley building web apps. When I got home, I watched kids,and then worked on Tox RPG in the evening and on weekends. Now, I’ll spend a good chunk of the work day watching kids, but I’ll be able to hand them off to Meg in the earlier afternoon for some time to work on my passion projects during the day.

Our goals for the upcoming year are to release an initial version of Tox RPG, created some ready-made adventures for people to try out, and build our fan base. We’ll be working hard to support those early pioneers who are adopting the system and running stories, and incorporating their feedback into the product. All of these will be easier to accomplish with my increased free time during the day.

Thanks for your support, and I look forward to growing Tox at a faster rate.

Tox Fantasy Adventure: The Root of Knowledge, 3b – The Tree of Experience

tree-of-experience

In previous posts, we’ve covered the country of Isladja, sample PCs, the meeting of the PCs, and the beginning of their search through merchant’s rest. After the initial scene, we’ve focused on prepping situations, not strictly outlining the plot. We’ve just described lodging in Merchant’s Rest (with a possible encounter with the Captain of the Guard) and the market (with a possible encounter with Bogdan, who had given players a false location for the tree of knowledge). In the inn or with Bodgan, characters can be lead in one of two directions. The first direction we covered last time, discovering that the Tree of Knowledge became the Iretree, and that there are old rituals that might placate the tree long enough to gain some of its wisdom.

This post describes the information that may lead the characters to a local cult, one with stolen fruit from the tree. Characters may resolve their quest for self-knowledge by returning the stolen fruit or by seeking the aid of the cultists.

A Tale of Two Trees

Untold generations ago, the Iretree was the Tree of Knowledge. Many seeking knowledge brought tokens of their self-reflection and searching, laying them at the feet of the tree. Some tokens the tree did not accept. The tokens that it did accept caused a tiny scroll bud to grow, with a single word that would enlighten the reader about themselves. Of course, one could return with more tokens, and, overtime, cause the scroll to grow into a lengthy volume.

One scholar of magic, who had lost ber family, had cultivated such a scroll. Every year, she presented the tree with a token, and the scroll grew some. She would ask herself whether she wanted to take the scroll each year. Instead, she found that nurturing the tree eased the tragedy in her own life… until one day, her scroll had disappeared.

A would-be sorcerer had also come to the tree repeatedly. His tokens were accepted less often, and his fruit much smaller. Rather than taking joy in the process, he lamented. Why was the scroll so small? Should he read it now? What if it wasn’t finished? What if it said something unbearable? One day, unable to contain both insecurity and jealousy of the larger scrolls, he took a scroll that wasn’t his.

The scroll contained secrets for how to strengthen one’s mystic sight through tragedy, and he quickly realized that he could cause tragedy in other people’s lives to gain insight, rather than suffer through his own. He did cause tragedy; he gained his powers; and he passed his insights to an apprentice. Every generation, one secret apprentice caused a tragedy, gained their sight, and passed their secret on. They called their secret the Tree of Experience.

The tree, irate at this betrayal (perhaps the last of many?) became the Iretree. Instead of sharing knowledge, it called the darkness wolves to strip any trespassing humans of their senses.

The Secret Becomes a Cult

The Tree of Experience once referred to the secret ritual passed down from a master to a single apprentice… but it has become something more. The current master has a larger and more commercial vision for the secrets, and has apprenticed many well-paying individuals to create the Tree of Experience cult.

While one tragedy in a generation was easy to overlook in a large town like Merchant’s Rest with many strangers wandering the streets, the flood of new recruits has made the cult impossible to hide completely. People have begun to whisper the cult’s name and connect it with suspicious and tragic “accidents.” Costin, captain of the guard, is aware of these rumors and actively seeking verify them.

What Character Learn in the Research Phase

In the early part of the story, characters won’t get the whole history. At the Mangy Hound, they may here clients whispering about a recent accident at the mill and mentioning the cult’s name. This will give them enough info to begin asking around. Alternatively, they can get more info if they win Costin’s trust: he can explain the existence of the cult, but also share a lead about a late-night rituals he believes may be associated with them.

Another way the characters may learn about the cult is from Bogdan. If they follow Bogdan, they may seem him get accosted by a cultist. If they earn Bogdan’s trust, he will tell them about the cultist… perhaps even going so far as to give a description and the location.

The cultist, will be very wary. If followed secretly, he may be found striking up conversation with rich second sons of merchants and nobles. If alerted the presence of the players, he will flee. If cornered, he will fight. If subdued, he will reveal little except that the reason for the tragedies caused is to gain some mystic powers and that the recruit the wealthy, bored, and jealous children who know they will not inherit the family business and are looking for a different way to acquire power. He can mention the same rituals that Costin has caught wind of, leading players to the woods late at night to find the cultists.

Fain, Tree of Experience Candidate

Fain is not yet welcomed into the mysteries, and is currently in a position of 1) having paid what is essentially an “application fee” and 2) following orders in hopes of being initiated. He knows that initiation brings with it some kind of mystical sight and that before the initiation ritual he must inflict tragedy upon another. He doesn’t know the specific instructions, but he’s been in town long enough to know that members of the cult have destroyed livelihoods, priceless or irreplaceable possessions, and even maimed or killed. He hasn’t seen the faces or learned the names of other cultists, but he knows one of the locations where they meet for their rituals.

By background, Fain is a disinherited noble’s sone from Fair Winds, who stole a bunch of money and ran off. There’s a chance that Stanteen may recognize him and get him to open more easily.

Trainings

  • Traveler (Charming) +2
  • Manipulator (Deft) +1
  • Seer (Wise) +1
  • Seer (Smart) -1

Skills

  • Stealth +2
  • Lying +2
  • Knife +1
  • Carousing +1

Tox Fantasy Adventure: The Root of Knowledge, Part II – Merchant’s Rest

In the spirit of not prepping plots, we’ll proceed fleshing out our Isladja adventure by describing some of the locations and people that players might run into as they search for the Tree of Knowledge. We’ll continue building out sections of Merchant’s Rest and the Irewood in future post. When we collect this material into official adventures, we’ll create a few different version. We’ll create a highly-structured, single track plot for new RPGers, along with a decentralized scenario with lots of information for experience GMs.

Merchant’s Rest: A Mandatory Tourist Stop

Merchant’s Rest is in a strange position as a town. It is the largest, safest stop for some distance along an important trade route, but otherwise has little value to offer. MR lies in the middle of a forest, with no river to power mills or facilitate speedy travel and no hills or mountains to mine. The dangers of the Irewood (the woods around Merchant’s rest, especially to the north) prevent extensive farming, logging, or hunting in the area. In essence, the Iretree prevents MR from utilizing its only natural resource: trees.

However, the dangers of the woods have also been a boon to the town. Because the woods are dark and treacherous, travelers are eager to seek the city’s safety. The hospitality industry (inns and taverns) thrives, as does the market due to the trade route. Secondary industries, such as bards and other entertainers have grown up around the inns. The city does boast some of the best hunters and trackers in Isladja, largely because darkness wolves make short work of novice, clumsy, or careless woodsmen.

Lastly, the city has quite a bit of would-be occultists. While it lacks the distinguished institutions of Fair Winds (The Righteous Path) or Irqar (The Seeming), it has quite a diversity of sorcerers, including Wyrdlings from the south as well. Of course, a number of charlatans and soothsayers have also been attracted to Merchant’s Rest, trying to profit off of the fears of travelers.

Something Sinister Seething in Merchants Rest

The townsfolk have suffered a large spate of recent tragedies: family members disappearing, houses or livelihoods burning down, etc. The rumors are that some shadowy group called the Tree of Experience is behind this, although no one seems to know more than the fact that they exist and seem to be causing (some) of the trouble around the town. The name should catch their attention, as the Tree of Experience and the Tree of Knolwedge seem to be related. However, since most townsfolk have not heard of the Tree of Knowledge (it’s a little obscure lore), and know next to nothing about the Tree of Experience, they won’t be able to comment on the relationship.

Staying in Merchant’s Rest: The Mangy Hound Tavern & Inn

While MR boasts a variety of inns, from the rich establishment that house traveling nobles and wealthy merchants to seedy dive bars, players will only be able to afford the cheapest accommodations after being fleeced out of their money by Bogdan. When the players return to the town, they will be exhausted and the market will be closed. Perhaps one of the players knows the cheapest joint in the city, or perhaps they have to ask someone. Either way, a good destination for them is the Mangy Hound Inn and Tavern.

The Mangy Hound was originally a tavern, known for its ever-changing collection of local moonshines rather than the typical beers and ales. Because these strong, cheap drinks have the tendency to make the clientele pass out, they added rooms where they could throw collapsed drunks… and charge them in the morning for the night’s use.

If players arrive early in the evening, the Mangy Hound will be lively. They might get a chance to carouse, and even a chance to meet Costin (the captain of the guard) as he breaks up a fight. Costin will be suspicious of their motives for being in town, and especially if they talk about the Tree of Knowledge, urge them to forget such non-sense immediately. He’ll site a large number of sooth sayers, but if pressed he can point players to some more legitimate lorists and librarians who can provide more accurate until. If characters are especially good at earning his trust, he discuss looking for the Tree of Experience.

If players arrive later in the evening, the Mangy Hound will have some patrons (as it does until the very early hours of morning), but conversation will be subdued. Characters may have a chance to overhear a local complaining about a personal tragedy and blaming it on the Tree of Experience.

Finding Bogdan: The Merchant’s Rest Marketplace

The marketplace is a hodgepodge of permanent builds and stalls or booths that change every day. Bogdan is in one of the latter, despite being a permanent resident of MR, so he is difficult to track down.  As it turned out, the players had each bought something worthless from Bogdan (you can ask each player what they would have bought) at an exorbitant price with the understanding that they were really paying for the intel on the the Tree of Knowledge. This is a fairly common tactic around MR. Because marks are paying for a physical good (and not information directly), merchants can “sell” false information without actually running afoul of the guilds or the guards. There’s a very good chance that the characters want to address Bogdan themselves, either to see if they can pry some better intel out of him or at least get their money back.

If you’d like, as host, you can roleplay characters haggling with merchants to find Bogdan, or simply narrate how long it takes them to find him. Alternatively, you could have the roll to search for Bogdan, using Traveler (Smart)… with a failure meaning they don’t run into Bogdan that day. They may choose the scrap the search altogether and find another, more reliable means of information. Or they may decide to keep searching the next day.

Bodgan himself is a rotund, mustachio’d merchant with cheap, worn, spangly clothes and cheap, worn, spangly trinkets. He thrives mostly on rumors. If confronted about the bad information, he will initially shrug it off claiming to only pass on what he has heard. If pressed about the money, his initial stance will be that he gave them something for their money, so it was a fair trade.

However, something is off about Bogdan. He seems a little nervous. Players can either attempt to scare him (more than he is already), or attempt to soothe him and earn his confidence to find out that he had been sharing a rumor about the Iretree once being the Tree of Knowledge. A hooded figure stopped him on the street last week, and threatened Bogdan’s life if he didn’t instead pass on some disinformation. Players can either track down this person’s description or follow Bogdan to learn more about the Tree of Experience.

 

Quick update: Reworking Isladja Story Structure

A couple weeks ago, we posted the initial scene of our Isladja fantasy adventure. We thought it did a good job setting up a quest (finding the Tree of Knowledge) in a fun way that let characters introduce themselves and avoided cliches like getting a quest from an employer at the Tavern.

When we started to write the second scene, we realized that we had a major decision to work through. Should The Tree of Knowledge be a straight-forward, single-path adventure designed to be easy to run and play (but not allow much room for deviation from the plot)? Or, should it be designed for more seasoned GMs, as Justin Alexander advocated in Don’t Prep Plots. This second approach would include characters, locations, and situations… but it would not specify order and would allow for a lot more player freedom. This second approach, however, is less structured than the first and may be more difficult to run for a new group of gamers than a linear, very structured story with careful bumpers to prevent players from popping off onto tangents.

Preference on which approach you would like? Comment here, on Facebook, or Twitter.

Tox Fantasy Adventure: The Root of Knowledge, Part I

A Mysterious Tree

This is Part I of a fantasy adventure for Tox RPG. It is set in Isladja, and designed for premade characters Istvan, Luminitza,  Stanteen, and Zihaka. You can use this adventure with custom characters, but hosts and players should ensure that any characters in the game have a motivation to seek out the Tree of Knowledge. Where the adventure gives specific advice for the premade characters, you can adapt the situation for custom characters.

Scene 1: A “Chance” Meeting

Players, one at a time, arrive at a clearing deep in the Irewood as the Autumn sun is setting. Gnarled trees fight for the dying sunlight, and the ground is thick and soft with decomposing leaves. The clearing has a small hillock with an old, mushroomed stump. You can introduce the setting in a few ways:

  • Easy: Describe the setting to all players at once, telling the players that they have all come seeking the Tree of Knowledge. It was supposed to be in this clearing, according to a merchant named Bogdan. Each player paid good money (or traded hard work) for the information. The players do not know each other.
  • Dramatic: Give each player a piece of paper describing how they are looking for the Tree of Knowledge. A merchant named Bogdam pointed them in them toward this clearing, after taking their money. Players won’t know at the beginning that they all are looking for the same. Describe the clearing to the first player to arrive, then slowly introduce new players as they stumble upon the clearing.

If you opt for the dramtic introduction and you’re using the premade characters, you might introduce them in this order. Stanteen is the first to arrive in the clearing, accidently stepping into a rope trap at the edge of the clearing. He winds upside down, for the next player to find. Lumintza arrives next, finding Stanteen. They investigate the stump, and may not notice Istvan, who spies them before entering the clearing. Istvan may choose to enter or wait, either way Zihaka arrives.

Obstacles

Players have a few obstacles to overcome in the first scene, but most involve introducing themselves, realizing they are seeking the same thing, and deciding whether to work together. For experienced players, you can probably let them do most of the work. With new players, you might encourage them to think about how their characters would respond to stranger, and whether they need help. Here are a few pointers for guiding players.

  • Some characters may be reluctant to share their purposes (Istvan and Zihaka in particular being less personable), but you might encourage more outgoing or trusting characters to be open about their goals.
  • If the characters are slow to decide on a course of action, or to trust eachother, they might hear the howls of wolves. Let them know that the Irewood is full of darkness wolves that steal mens’ senses and other more sinister monsters. Wolves are much more likely to prey upon lone individuals than groups.

Each character also has individual motivations to join up with others, especially if they learn that the others are sorcerers too. Each character also has unique skills to offer. You if the characters run into dead ends, you might prompt individuals by pointing out the following:

  • Istvan – Does not hide his abilities, is used to being seen as different. Will want to find an excuse to keep the company of players who do not seem intimidated by his special abilities, especially if he realizes they are equals and have powers of their own. Can offer help searching the woods and protection from danger.
  • Luminitza – May be hesitant to show her abilities (especially to a fellow Northerner like Istvan), but very curious about the abilities of others. Can offer her knowledge of forests and botany, and healing abilities. Perhaps she’ll even hint that she can make herbal mixtures with other helpful properties.
  • Stanteen – May be a little tricky, as he will attempt to not care about anything. However, you might suggest that being found my this group of people at the same time is a sign from the universe. Can offer the ability to renegotiate with Bogdan, although his powers would be hard to describe. Maybe he could offer them “luck.”
  • Zihaka – Is openly a follower of Il Athwah. Either of the Northerners (Istvan and Luminitza) may or may not be suspicious of her. However, she might benefit from having native companions, as people might not speak as openly to a foreigner. Zihaka also has a lot to offer; she has the most knowledge of things supernatural. She can assure the others that the Tree of Knowledge is old lore and not made up by Bogdan. She might also have information about darkness wolves. Lastly, she can offer her services both in fighting and first aid.

Outcomes

Players may make any number of choices, but the most likely are:

  1. Examining the clearing at length
  2. Continue searching for the Tree of Knowledge in the area
  3. Returning immediately to the village to confront Bogdan

Option 1: The current clearing has no obvious special properties except some useful herbs for Luminitza, clearing the way for this character to introduce her skills set (and special abilities, if her player decides to trust the others). However, if players spend a long time in the clearing, darkness may fall and they may encounter darkness wolves (or another creature of your own devising).

If the players take special precautions (such as banding together, lighting torches to frighten off beasts), you may decide they can return safely back to the town; this may be a preferable if the party has no fighters (like Istvan or Zihaka).

Option 2: The Tree of Knowledge is nowhere in the immediate area, although the search may provide opportunities for Istvan to show off his Tracking skill, or Luminitza to show off her Forestry skill.

Option 3: Characters may hear the howl of wolves on the way home, but otherwise proceed safely to the next scene.

More Scenes to Come

We will post more scenes in following weeks, including finding and dealing with Bogdan, tracking down the Tree of Knowledge, and encounters with the minions of the Ire Tree.

NPCs for Isladja: Quick and Dirty or Custom

darkness-wolf

Tox RPG is streamlined to allow for great flexibility: you can create a simple, mundane NPC in moments, or customize them deeply for important or recurring characters. For our Isladja adventures, we’ll start with some basic NPCs and move on to a few NPCs that characters will encounter. Warning: later NPCs are spoilers for characters. Don’t read past GM Only section if you don’t want the adventure spoiled!

Guards and Goons: Quick NPCs

In order to figure out what kind of modifiers a character should have, we created these loose guidelines:

  • Hobbyist: total talent & skill modifier of 1-2
  • Talented Amateur: total talent & skill modifier of 3-4
  • Professional: total talent & skill modifier of 5-6
  • Accomplished professional: total talent & skill modifier of 7-8
  • Master: total talent & skill modifier of 9-10

For your average, non-gift joe, you’ll be looking at a total talent & skill modifier of 5 for their primary skill, and a smattering lower modifiers. Lets use city guard of Merchant’s Rest as an example.

City Guard (Melee): 16 points

Trainings

  • Soldier (Strong) +2
  • Soldier (Deft) +1

Skills

  • Sword +3
  • Bow +1
  • Law +2

The guard’s main skill, sword fighting, is +5. They have a few other skills (Bows at +2, Law at +2). Since they have Strong Soldier, they will also have a bonus to avoid passing out when taking damage, so they’ll stay in the fight longer. We can easily switch the values to have an archer:

City Guard (Archer): 16 points

Trainings

  • Soldier (Deft) +2
  • Soldier (Strong) +1

Skills

  • Bow +3
  • Sword +1
  • Gambling +2

Now, we have a much nimbler, ranged fighter.  Instead of solving disputes or policing the streets (Law), they tend to spend a lot more time waiting, and so they have a skill for passing the time (Gambling).

In the Flesh: More Individualized NPCs (Isladja GMs only)

A simplified approach works fine a throw-away NPCs that the characters might only interact with in a couple of ways like fighting or arguing over city ordinance. However, if the characters are likely to have repeated contact or in-depth conversations, you’ll probably want to flesh out the NPCs more. An individualized NPC might have a wider variety of Talents and Skills, including some penalties, because 1) normal people aren’t good at everything and 2) you might want to think of ways an NPC is likely to win or lose to characters in a potential roll or contest.

As an example, lets take our City Guard (Melee), and expand it into Catalin, captain of the guard.

Catalin, Captain of Merchant’s Rest Guard: 30 points.

In a city that cared only for martial ability, Catalin might be captain of the guard because of superior swordsmanship… and perhaps he once was one of the best, but now he spends quite a bit more time with administration than fighting. So he doesn’t have much higher abilities than a regular guard, he has more of them.

Trainings

  • Soldier (Strong) +3
  • Soldier (Deft) +2
  • Soldier (Charming) +2
  • Manipulator (Charming) -2
  • Creator (Charming) -1

Skills

  • Sword +3
  • Law +3
  • Politics +3
  • Streetwise +2
  • Tactics +2
  • Tracking +2
  • Bow +1
  • Gambling -2

Catalin is slightly better with the sword than your average guard (+6), although perhaps he used to be better. He’s better with the bow than your average, melee guard (+3), but not as good as a typical archer (+5). He’s also a little keener on the finer points of law, although he’s no lawyer.  The bulk of his extra points, however, are in areas that help him keep Merchant’s Rest and the area around it running and safe. He knows the politics enough to get the property funding for the guards, he knows a little streetwise for dealing with criminal elements. He also knows a little tactics and tracking for the rare times when he needs to martial groups of the guard outside the city to track down some menace. He also has a lot of natural talent for leadership (+3).

Mixed in with his additional strengths are some weakness that suggest ways characters might get the better of Catalin—if it comes to that. He’s not good at word games or persuasion with Manipulator (Charming) -2, or Gambling -2. Catalin’s smart enough to know he’s not good when it comes to manipulation, so he takes care to avoid either persuasion or gambling, resorting intimidation with Soldier (Charming) or political knowledge to see him through. If the characters do find a creative way to maneuver Catalin into a gamble that involves bluffing, the results could be catastrophic for him (-4).

Also, he is not much of a poet or artist with Creator (Charming) -1,  for the same reasons he’s not very good at artfully choosing his words. That might seem irrelevant; except that Catalin would trade help with a love letter for a small favor, should the players discover this need.

Gifted NPCs (Isladja GMs Only)

The Training and Skills system is fast, straight forward and allows for surprisingly complex characters, like Catalin, who lacks natural talent for manipulating people but who can compensate in some situations by using his political skill or substitute his imposing soldier’s charisma. Gifts are even more powerful in customizing unique characters.

The easiest way to created a powered NPC is to simply glance down the list of NPC gifts and find the mechanic you like the most (“Blasting people from far away, sounds great!”). Then add a theme for your character, and select a max power and skill. Done.

However, we prefer to focus on character concept—plus starting with an idea for a gifted NPC and then selecting the appropriate mechanic will allow us to show off Tox’s customization a little better. We’ll use a common monster around Merchant’s rest as an example.

Darkness Wolves

Darkness wolves are a magical beast found in the Irewood that steals your senses. Darkness wolves are typically encountered as the alpha of a mundane wolf pack (as they will fight to the death to be Alphas if there are more than one in a pack). Darkness Wolves are named after the wolves that steal your sight, but there are wolves that steal other senses. Ones that steal touch and hearing can also be very dangerous. Darkness wolves that steal smell or taste typically avoid humans and other prey less reliant on those sense.

Stealing someone’s senses as a gift, could be modeled with several different mechanics, depending on the exact effect your looking for.

  • Illusion is one of the first options you might think of, for it is used to deceive or alter the senses. Technically, in this case, the wolves are not stealing the sense but creating the illusion of no stimulus. If the players fell under this gift, the host would likely assess a penalty for any task using the affected sense.
  • Enhance is another option, because, depending on the theme, it can reduce trainings as well as increase them. Most awareness/notice checks are (Smart) trainings, so the wolves could have a gift that lowers trainings related to the senses, especially Smart. This is a little simpler than using Illusion, since the host doesn’t have to add modifiers to rolls on a case-by-case basis. However, a lack of sight will affect more than awareness checks so you’ll have to get creative about what Trainings you penalize.
  • Stun is a third option for such a gift. In this way, the wolves would act like flash-bang grenade: knocking out your senses with such a blast as to cause you to simply lose turns. This is a simple approach that, for better and worse, would just treat any sensory loss the same.

We’ll go with Illusion, because it seems the closest to our original intent… although we could have used any option.

Any character (even NPCs) with a gift should also have a tox type and theme.  A host could omit this for throw-away monsters, assuming that character won’t have time to discover it or trigger it… but you never know what characters will do, so it pays to include it. Since the Darkness wolves are denizens of the Irewood, and anger theme seems appropriate. They’ll have the tox Psyche “Berzerk attack on prey.”

While “Berzerk” may not seem like much of a weakness for our wolves, attacking their affected target will prevent them from stealing the whole party’s senses at once before it attacks them. Also, it will leave darkness wolves open to attack by others. This is a good example of how adding tox to gifted characters helps enrich the story. The characters could treat a fight like a simple hack-and-slash… but the existing of a tox effect will reward characters who research, problem solve, and strategize about how to best defeat opponents.

Darkness Wolf Stats

Trainings

  • Soldier (Strong) +4
  • Soldier (Deft) +2
  • Traveler (Strong) +4

Skills

  • Bite +3
  • Tracking +5

Gifts

  • Illusion 3 “Steal sight” +3

Tox

  • Psyche “Berzerk attack on sensory-deprived prey”

 

 

RPG Setting: Isladja Player Characters

Here are four example player characters for our Tox fantasy setting, Isladja. These characters represent a variety of cultures and magic systems in Isladja. Our Isladja story (to be published in two weeks), is designed for them. Here are editable Tox  character sheets with their information:

  • Luminitza – An ambitious, conflicted herbalist from the northern Isladjan villages who came to follow Elivid (the Righteous Path), which is taboo in her home country. Her chosen path or virtue is Passion, which she uses to infuse her herbal concoctions with the power to heal and augment the human body. Using her long-sought magical abilities is exhilarating… but it also leaves her exhausted.
  • Stanteen – A rebellious heir from a wealthy, Fair Winds merchant. Fair from seeking out the Righteous Path, he wanted to rebel against it and family tradition by adopting a non-virtue for his path: apathy. Supposedly, the Elivid magics cannot be practice without a virtuous path, but Stanteen was stunned to find his path allows him to summon helpful objects and clear obstacles from his path. However, his ability shorts out when he fails to demonstrate sufficient apathy.
  • Zihaka – A mournful mercenary and ex-scholar of Il Athwah from Zaraloft. She has a particularly powerful Il Athwah speed ability, but she is only able to use it when someone around her is laughing. Using the laughter of others to fuel her powers brings bad karma, however, and results in tragedy.
  • Istvan – A wandering hunter who was blessed (or cursed) by a great cat spirit and became Zani-atins. He was a farmer’s son, before his intimidating martial and prophetic spirit powers distanced him from friends and family. His tendency to drop into a trace and give vague, dire warnings does not help him find the human connection and sense of community that he is seeking.

Character Notes

These characters use have diverse backgrounds and magics: (Elivid, Il Athwah, and Zani-atins). However, they are all wandering far from home and are at odds with their wyrds (magics), a fact that will bring them together at the start of our Isladjan story. The story will be designed for use with any combination of these characters… or you can take inspiration from them and design your own questing group of sorcerers.

Each character is 35 points. Our demo book has templates for 25 points (novice adventurers) and 50 points (seasoned adventure). We wanted to select something between the two. Also, some characters do have gift mods, but otherwise we limited them to stats in the Tox Demo. They do not include Fortunes, Misfortunes, or Equipment, which will be detailed in the full version of the Tox rule book.

To help you as game hosts or players, her are some notes on the characters (no spoilers).

luminitza

Luminitza

Luminitza is a strong support character, as her herbal-themed Path powers can boost the strength, reflexes, and sense of the whole party. Of course, the ability to use her own herbal concoctions gives her quite a bit of flexibilty to overcome obstacles herself. She is slightly inept in fighting, however, and would avoid fighting herself whenever possible.

Roleplaying & Motivation

Luminitza felt stifled in her home village. While grateful for her training as a herbalist, she felt that the world had more to offer her. Specifically, she wanted magic, and she eventually settled on the Righteous Path as the most likely road to unlocking her own magical potential. She’s fairly new to the path and has two main goals. 1) She seeks to develop her own mystical potential, and 2) she’s deciding whether to return to the north despite practicing magics that are taboo in her home county. She’s learned as much as the priests in Harvest Cove can teach her and is now exploring the rest of Isladja.

Why join with the others? Lum is unsure of exactly who she is at the moment and where she belongs. She loves her village and the Harvest Moon area… but she fears being ostracized for following the path. Other sorcerers from different places might help her explore who she is and whether she might find a better home elsewhere.

Gifts and Tox

Luminitza’s gift is unusual for a righteous pather, as most pathers only augment themselves. Luminitza has actually circumvented that limitation by augmenting her herbal skill and infusing her concoctions with supernatural potency that can be enjoyed by anyone. However, this means that she must have a ready made concoction in order to use her powers. If she lacks a pre-made powder or potion, she must gather common ingredients and make more.

The normal rules of gift activation apply to Luminitza: any enhancement requires the target to be in her line of sight and requires her to take a turn to activate her gift before she can boost anyone’s trainings.  In addition to the normal restrictions her gifts have a Required Component mod, a low level restriction with an herbal them: the target has to consume or apply one of Luminitza herbal creations in order for Lum to activate the gift. The player is free to declare that they prepare and distribute such concoctions in advance. Since Required Component is only Tier -1, it shouldn’t impact the story heavily or often. Perhaps once per story, the character should run out of ingredients and have to make more, or cause Lum and other players to lose precious turns hunting through their packs for the herbal concoctions.

When the gift is activated, Luminitza’s player can choose a combination of bonuses to any Deft, Smart, or Strong Training up to the activation power limit to impart to whoever imbibes the concoction. This restriction is due to the theme: physical and sensory-enhancing herbal concoctions.

Luminitza’s healing ability works the same as her enhancement gift, except that it accelerates healing for a time, instead of boosting stats.

The side effect of infusing her herbal concoctions with extra potency is exhaustion: her tox effects lower her own attributes. The host could choose to trigger tox effects immediately after someone imbibes her remedies (as if she is literally putting herself into her work), but the host could also wait from another time when Luminitza puts forth great effort or has her passions/ambitions blocked and gets frustrated. If the tox effect includes Trainings that Luminitza can buff, she can enhance herself to compensate… but she will then increase to tox level again and possibly enter an addictive cycle that could make for great story fodder later. The host can side step this ‘loop-hole’ by either choosing Charming or Wise trainings to penalize (one can also exhaust their social skills or insight), or by setting up a situation where Luminitza runs out of supplies and cannot augment herself any more.

stanteenStanteen

Stanteen is young, good with people and money, and a little bit of a clutz. His powers which involve summoning helpful objects and letting fate remove obstacles from his path are very flexible. His theme of apathy, however does make him a unique challenge for a player. Stanteen can act on pure logic, or he can follow what he interprets as signs from the powers that be, but any time he shows too much attachment, concern, care, desire, or anger, he risks losing his powers.

Roleplaying and Motivation

Stanteen is by no means actually free from desires and truly apathetic. He is thrilled to have recently discovered powers that are his own, not granted by his parents with strings attached. He is also afraid his parents will attempt to control his powers should they ever find out, so he simply decided to run. He finds that his powers disappear when he tries to plan ahead (because its hard to do so without forming an attachment to the plan), so he instead has attempted several methods to maintain a certain level of apathy: doing the first thing that he pops up into his head, accepting the will of the universe as revealed by coincidences, or following the directions of other people without heaving thinking. He can act on logic, but thinking is risky as it frequently sparks emotion.

Why join with the others? From a purely logical standpoint, it’s helpful to have friends with powers if yours short out. Also, its easier to remain apathetic when following someone else’s instructions as opposed to making ones own decisions. However, he is most likely going to bond with the group if he meets them in an unusual coincidence that appears to be a sign from the universe that he should follow them.

Gifts and Tox

Stan’s powers work primarily when he adopts a course of action without too much thought, preparation, or attachment. This makes him a great scout, except the part where he’s a klutz and has a hard time sneaking. As with any character, Stan’s player will have to declare an activation power (for summoning, his travel power only has 1 level) and take a turn to activate the gift (maybe this involves meditation and clearly his head, or simply distracting himself from caring with something else). However, is themes prevent him from actually declaring a particular result, as he relies on the universe to provide. Instead, Stan will declare the type of problem he’s trying to solve and the Host will provide the most effect: introduction of a helpful item in the case of summoning, the removal of a small obstacles in the case of Traveling.

Summoning is a little bit of a tricky gift. Each higher power level allows for the Stan to summon an object, bigger, rarer, or more powerful (1 for small, inexpensive, everyday items; 2 for something might require two hans or have some small value, 3 for large or unusual items). By default, these items don’t instantly appear; the appear in the time it would naturally take for them to reach Stan. These means that items reach faster in the city (where there are lots of nearby items to be coincidentally found in trash, fall off wagons, put on display in a shop, etc), and they reach him very slowly in the middle of the forest. However, the summoning can be sped up by activating at higher levels than you need. Use 1 higher activation power to expedite the object, and 2 higher activation power to make the object appear, miraculously in Stan’s hand. For example, activation his gift a power 1 means that some small object of negligible value will as soon as circumstances could coincidentally drop it at Stans feet. However, Stan could activate at power 2, and have a small object of negligible value expedited.  The object still has to travel to Stan somehow, but circumstances conspire to deliver it with uncommon speed. Lastly, stand could activate at power 3, and have a small object of negligible value magically appear on his person, without the need to be carried or transported coincidentally.

Travel allows Stan a small bonus for traveling under tricky circumstances. When climbing, he will find the good handholds; which running through the streets, people will get out of his way just a little quicker. A trained climber or running will still generally beat him, but he does slightly better than the average joe. And it’s not to do skill or practice.

Stan’s tox type is Mana meaning is powers short out. Specifically, his theme involves them shorting out when he becomes attached or involved. For hosts, we’d recommend not shorting out Stan’s powers every time he does something that could be construed as being emotional. Instead look for outburts of relatively passionate words or actions. Unless the player is spamming Stan’s abilities, make sure not to trigger Tox effects more than you trigger tox effects for other characters.

zihakaZihaka

Zihaka was a friendly Il Athwah scholar with a smiling mask and an ability for speed that helped in her travels. However, when tragedy befell her village, she lost her ability smile. Since the seeming she used for magic was smiling and laughing, she lost control of powers. She can still use them, but only when other people laugh. This character has both deep knowledge about the supernatural and skill with knives (both melee and throwing).

Roleplaying and Motivation

Zihaka lost a lot when her village was burned to the ground. She still hasn’t recovered and can’t stand to return to her home region because it reminds her of the pain. The fact that she can’t directly control her powers is insult to injury. She’s motivated to figure out how to regain control of them, although learning to laugh again will be very, very difficult… and will probably require the help of friends she trusts.

Why join with the others? Maybe this group of lost souls, like her, can help her regain her seeming. Also, she may be attracted to their need: no one has needed her guidance since her village was destroyed.

Gifts and Tox

Like Luminitza, Zihaka has a Required Component: she must wear her mask to speed herself up. This should be easy most of the time, but once per story the host might orchestrate situations in which the mask is not easily available or its use in public is awkward. The real challenge for Zihaka’s speed is the mod Uncontrolled: she requires someone else’s genuine laughter to use her gift. When there is genuine laughter around her, she can roll to activate her Speed. She has few different strategies for getting this laughter. First, in a city, she can visit a place where she is likely to her laughter (like a square with playing children during the day, or a tavern in the evening)… and hope the speed lasts long enough to take her where she needs to go. Second, she can try to get someone around her to laugh (difficult during a fight… but possible if a fight has not yet broken out). This last is tricky. Due to her low Creator (Charming) she’s bad at all forms of art / using words to get an emotional response, so she’s got a penalty for simply telling jokes.

Once activated, her Speed allows her to cover more ground, get a bonus to dodging, and take extra actions.

Her tox type is Karma which introduces story obstacles (rather than have some mechanical, numeric change). Specifically, since she’s at odds with her forming seeming of happiness, her Karma introduces tragedies that will keep her off balance or depressed.

istvanIstvan

Istvan is a fairly simple young man. He loved being a farmer and the company of friends, until he became spirit-touched. He found that his abilities intimidated others, making personal connection difficult, and the cat-spirit wanderlust he feels prevents him from staying in one place and putting down routes. He is a solid melee fighter, thanks to cat powers, and also has a limited ability to see the future.

Roleplaying and Motivation

For the moment, Istvan mostly just subsists and worries about the day to day job of hunting. He enjoys the focus he feels during a hunt. That focus takes his mind off of the conflict between his former identity that enjoyed friendship and being rooted in one place and his new identity that includes the personality of a solitary, wandering cat.

Why join with the others? He’ll be happy to have interactions with people who won’t be as intimidated or afraid of him as mundane folk. Also, if the group travels, it may provide the balance between having a community and needing to travel that has proven elusive so far.

Gifts and Tox

Istvan’s Melee and Toughness gifts are pretty straight forward. His strength makes him hit faster and harder, while his enhance reflexes help him avoid or reduce damage.

Prophecy is a more nuanced gift for Istvan. The spirit that touched him was a cat spirit, roughly similar to breed of large, black wild cat in Isladja that is known for being spotted when there’s a big change in the weather or seasons. Istvan has received some of their prescience. However, his ability to see the future only applies to large scale trends (like weather and seasons). Istvan can’t get any answers about the actions or fates of individuals.

Istvan’s tox type is Psyche, specifically a compulsion to give vague, dire prophecies. Low level tox effects might look like simply odd or off puting remarks, Since his gifts are all fairly low level (2), his tox effects are likely low-power, and typically only have the effect of confusing or annoying those who don’t know him. This prophecy compulsion can also be an obstacle when Istvan must stay silent. He hates it when he feels compelled to shout out a dire warning while hunting. It scares the game away.

Non-Kickstarter: Going Back to the Drawing Board

Person at Drawing Board

We’re back online after a respite from the intensity of Kickstarter (and the whole family getting sick in the middle of it). The Kickstarter didn’t go very far, but I was warned by fellow game designers that if the Kickstarter doesn’t go well in the first few days, it is hard to get it back on track. The Kickstarter wasn’t a bad experience: I learned more about marketing Tox in a month than I would have in half a year (or more), as well as generating a lot of great materials, including:

So it’s been a very productive time, even if it didn’t result in funding professional illustration for a full-length RPG book.

What Didn’t Work

Going into the Kickstarter, we had two major assets: 5,000 Facebook likes and a local gaming convention at the start of the Kickstart. We had hoped that, between a large audience interested in Tox and the opportunity to do lots of local word of mouth, we’d get enough early momentum. As it turns out, there’s a pretty big gulf between someone liking your product and getting them to take the next step… and it was a much slower year for roleplayers at the Pacificon, so that momentum didn’t materialize.

Feedback for Round 2

Most of our backers didn’t actually come from the Google+ communities that we participate in or Facebook followers… they browsed into the RPG site via Kickstarter. So it turns out that focusing on the Kickstarter content would have been more successful than our many efforts to drive large volumes of people to the page. Specifically, the advice I received was:

  • Have a high-quality intro video before launch.
  • Don’t worry about the details so much. Most people want the general impression of the game more than specific rules or examples around how it works.
  • Replace copy with images or diagrams. Again, people just don’t want to read a lot.

The Future of Tox

The playtesting feedback for Tox has been very positive so far: it has a unique take on powers, allows for very unique/customized characters, and makes easier for GMs and players alike to tell an exciting, character-driven story. We don’t believe the non-Kickstarter was a failure of the product, but it’s clear our marketing skills are lagging behind our product development skills. We plan on improving our marketing in both the short term and the long term.

Short-Term Plans

  • We’ve set up a schedule for high-quality content: releasing settings, storylines, and characters for Tox.
  • Be more conscientious about how we build connections within the RPG community. We have FB groups, we belong to several Google communities, but we need to think more strategically about how to make Tox more visible.

Medium-Term Plans

  • We’re going to pair-down the Demo (currently, we’re offering most of our Gifts + Tox types, with all 5 levels). The future demo will be smaller, with few Gifts and Tox types, and only include descriptions of powers up to level 3.
  • Simultaneously, we’ll go ahead and create a version 1 of Tox RPG. Since the Kickstarter didn’t get funded, art will be limited to the 9 characters already commissioned and the volume will be slimmer. The first edition will be light on examples, equipment, pre-made stories/settings, GM advice, alternate rules, and guidelines for how to create custom settings… however, it will have all the stats & rules needed to play the game and enough examples to get you started. You’ll be able to check the blog for example characters, settings, and resources.

Long-Term Plans

  • At some point, when we go for an illustrated 2nd edition, we will run another Kickstarter campaign. We’ll wait until we see a lot more engagement on our blog or communities, and we’ll do a lot more video planning. We’ll also do a lot more visual planning of the page itself: fewer words, more pictures.
  • As a backup or alternative, we might look into other ways to fund the art for the Kickstarter. Because the art is by far the most expensive piece of creating an RPG book, and because we have a lot of the writing, layout, and copy-editing skills in-house, finding another method to acquire or commission art would allow us to skip the Kickstarter completely. However, the Kickstarter was such a helpful learning experience that I see Varza kickstarting games in the future.

Onwards and upwards!

Game Design: Knowing When a Game Feature is Done

Game Design Patent

Game design, like many creative pursuits, is challenging because you start with nothing and have little structure or constraints to guide you on how to build. The field is wide open, which can make it harder to narrow down your choices. I’ve written before about choices we made early on the in the RPG design process (starting with generic or genre-specific). With the Tox Kickstarter, and the game in a more mature phase, it’s a great time to reflect on when we know that a particular game feature is done.

For me, there are really two different standards for each feature that have emerged: a standard for central game features, and a standard for non-central features.

How You Know When a Central Game Feature Is Done

The are features of the game that are central to the game you’re designing. They’re crucial to the idea of the game. If you remove them, the game doesn’t make sense. These features should also be the ones that set it apart from other games. When you’re discussing the selling points of the game, these are at the top of a short list. For Tox RPG, these are:

  1. Designing your own custom powers for you character or game world.
  2. Designing a custom side-effect that triggers sometime after you use your powers,
  3. Streamlined character creation and play (easy to set up, quick to play).
  4.  Adaptability of the rules to many genres or worlds.

For this post, I’ll focus on #2… the feature that gives Tox it’s name. Tox, the side effects of your characters’ unique abilities, is the most central feature of the game. Tox creates the most interesting strategic decision in the game: when to use powers and risk a side effect. The tox system shapes the story, creating a system where players and hosts collaborate in creating the obstacles a character faces. So what do we look for in determining whether we found the right system? The feature should be:

  1. Fun. People have play tested the feature and enjoy it.
  2. Fitting. It meets meets design goals and works with the rest of the game.
  3. Intuitive. People get the basic idea quickly.
  4. Generative. The feature creates unexpected insights and positive gaming experiences.

Analyzing a Central Feature for Completeness

Good game design does not necessarily require every feature to measure up to each criteria above. But the more central features do meet those requirements, the better the game. For us the Tox system scores pretty well.

#1: Fun. Play testers have really enjoyed both designing their own side effects and facing down those side effects in game play.  Gamers design their tox stats with anticipation and a building of suspense. They get to pick their side effect, but they don’t know exactly when it will hit (beyond that it can’t happen before they use their powers), or exactly when it will look like.

#2: Fitting. Tox works well with powers to create the central choice of the game. Will you use your powers to overcome one obstacle, knowing that your tox will create another one later? Tox scales with powers: the more powerful the gift you use, the more powerful the side effect.  Since there are only 5 levels of tox, there’s not much calculating or record keeping to slow down the game, so it’s also a pretty fast mechanic.

#3: Intuitive. Play testers (and other interesting individuals from Pacificon 2016) pick up on the main idea pretty quickly.

#4: Generative. Tox has been very generative for both Meg and me. At Pacificon, I realized that tox effects aren’t just a rule to raise the stakes of using powers, they’re a story telling tool. As a GM, the players are giving me obstacles and plot points that I can plan into adventures or use on the fly. Meg mentioned the other day finding parallels between her actual life and Tox… how you can over exert yourself for a period of time, but there’s an inevitable crash afterwards. You don’t know what exactly it will be or exactly when it will hit… but it will!

However, on this last point, I don’t feel like we’ve gone as far as we’d like. We don’t want the tox system to be generative just for us, or in our own play tests, we want to release it into the wild and hear the fun ways that you use the system! So ultimately, I’d give the Tox system around a 3.5/4 for completeness. It might be a 4, but we won’t know for sure until we more feedback from people who use it that have never even met us. Download the the demo on our Kickstarter page, and tell us what you think of our game design!

The Completeness of Non-Central Features

Cliffhanger! In our next post, we’ll discuss our approach to non-central features, and ways that we have streamlined Tox RPG over the years of game design and testing.